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18 Mar 2021 - 06:58 pm
Shawnelips
18 Mar 2021 - 05:51 pm
I'm a humble chef, however, I'll try to correctly formulate my head about the film, because it's so dear to my heart.
If someone which has a revolver gets off the train from the prologue of Sergio Leone's film, then he has to have something to say. The silent wanderer keeps a bitter story deep in his heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and in the eyes you can observe the fad that's accumulated over the years. He isn't who he seems. The wanderer's name is Douglas Mortimer, an old military man and already a bounty hunter. If viewers of the film listen on the words of the flabby old man chained with a bed (a funny grandpa appears closer to your center of the film), they're going to learn how the trains, these damned and noisy objects, are responsible for everything. Alas, but earthly hardships will not be on a trains and Douglas Mortimer is knowledgeable of this, his problem is made up of bones, flesh and blood. The character, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not simply revenge is at the heart on the plot of Sergio Leone's brainchild, because as well as the retired colonel, there is another hero inside the film. Fast, accurate, discreet, another bounty hunter. At the very least curious, but at most wildly interesting, specially when the “one-armed” shooter is played by Bruce Lee in the world of Westerns - Clint Eastwood. You can easily reckon that the paths of Mortimer along with the nameless shooter will cross in the sunshine with the wild west. The spaghetti has already been within the pot.
In A Few Dollars More, phrases just like “in 10 mins you'll be smoking in hell” or “you need a new sheriff” are inevitable. The hero of Clint Eastwood is shown as a shooter whose abilities could be relevant within a science fiction novel, but everything that is alleged can't be attributed towards the disadvantages in the narrative. Maybe the most absurd moments from the Western genre and in the skillful direction of Sergio Leone become salt for spaghetti, and the tale from the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers for the screens, which are in all likelihood visited by such thoughts: ¬¬ “I wonder what can happen further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “A few bucks more” - shootings, chases, music of contributions, personifying next of death, here satire, coupled with foolishness, lives side-by-side with drama and ironically interpreted religious motives. And, finally, the storyplot shown by Sergio Leone could be the archetype of countless paintings, where partnerships flow into friendship, though into a form of friendship, in this friendship a friend can shoot a friend from the neck to make sure that he isn't killed by the thugs of the last boss. The fire is burning beneath the pan. The spaghetti starts to boil.
Sergio Leone's tape is indeed a classic of your genre, and this can be obvious to see by the noise of bullets fired with the heroes, bank robberies along with the long glances that two shooters exchange ahead of the decisive shot, that shot that decides human destiny. The creators besides highlight their creation (and they are doing it well), but will also touch on burning topics in some episodes of the film, not afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Also, it really is more than interesting to view numerous Clint Eastwood and Lee Van Cleef - the heroes of the existing and new generation of westerns who, finding yourself in the images of Manco (One-armed) and Colonel Mortimer, now and prove something together, competing inside the possessing a revolver and doing of sieve hats. Hmm, something's heating up with the food prep, phew, it is time to serve spaghetti within the table. Winnie, your guests are waiting, hurry up, they may be hungry and have learned to taste Leone's signature spaghetti. It is difficult for an expressive chef to find a very good helper these days. Spaghetti is served, but wait a moment, dear guests.
Undoubtedly, Sergio Leone in his “A Few Dollars More” demonstrates to cinema the lion's share of his talent and professionalism, and the image itself will be hypertrophied dominating before the initial film on the trilogy, which attracted the interest of your expressive Akira Kurosawa. Many years later, Leone's brainchild efforts to please numerous people, plus the film succeeds: those viewers who desires a dramatic story get it, people who love shooting and duels are satisfied, and connoisseurs of satirical humor are going to be satisfied after watching. Structure music, you'll be able to speak briefly - Ennio Morricone. Dear listeners, perhaps I am too excited, that makes my thoughts somewhat confused, but in the event you watch a terrific film of my fellow countryman car should be done, you can be convinced from the correctness of my words. However, I will not hide my bias, I actually love the stories with regards to the shooters of the wild west, where there are 2 contrasting bounty hunters chasing a similar victim, but not the same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal!
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